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齊白石英文簡介7篇(齊白石英文簡介帶翻譯)

時(shí)間:2022-10-14 16:32:00 綜合范文

  下面是范文網(wǎng)小編收集的齊白石英文簡介7篇(齊白石英文簡介帶翻譯),供大家品鑒。

齊白石英文簡介7篇(齊白石英文簡介帶翻譯)

齊白石英文簡介1

  齊白石名言匯總

  1、欲立藝者,先立人;學(xué)我者生,似我者死;勿道人之短,勿說己之長;人罵之一笑,人譽(yù)之一笑。

  2、人欲罵之余勿聽也,人欲譽(yù)之,余勿喜也。

  3、壽高未死羞為賊,不辭長安作惡饕。

  4、作畫先閱古人真跡過多,然后脫前人習(xí)氣別造畫格。乃前人所不為者,雖沒齒無人知,自問無愧也。清逸,不慕名利,方可從事于畫。見古今之長,摹而肖之能不夸,師法有所短,舍之而不誹,然后再現(xiàn)天地之造化。如此腕底自有鬼神。

  5、不教一日閑過。

  6、妙在似與不似之間。

  7、我絕不畫我沒見過的東西。

  8、任君無厭千回剝,轉(zhuǎn)覺臨風(fēng)遍體輕。

  9、畫中要常有古人之微妙在胸中,不要古人之皮毛在筆端。欲使來者只能摹其皮毛,不能知其微妙也。立足如此,縱無能空前,亦足絕后。學(xué)古人,要學(xué)到恨古人不見我,不要恨時(shí)人不知我耳。

  10、學(xué)我者生,似我者死。

  11、不知明天該做什么的'人是不幸的。

  12、善寫意者專言其神,工寫生者只重其形。要寫生而后寫意,寫意而后復(fù)寫生,自能神形俱見,非偶然可得也。

  13、我是學(xué)習(xí)入家,不是摹仿人家,學(xué)的是筆墨精神,不管外形像不像。

  14、作畫在于似與不似之間。太似為媚俗,不似為欺世。

  15、教學(xué)相長。

  16、人不可有傲氣,但不可無傲骨。

  17、莫羨牡丹稱富貴,卻輸梨橘有余甘。

  18、每一天醒來都是新的開始;每一天結(jié)束,都是“不教一日閑過”的勝利。

  19、欲立藝者,先立人。

  20、男人三十分鐘不談女人。

  21、不求一日難過。

  22、勿道人之短,勿說己之長;人罵之一笑,人譽(yù)之一笑。

  23、似者媚俗,不似者欺世,妙在似與不似之間。

  24、抓住時(shí)間,不要虛度光陰。

齊白石英文簡介2

  齊白石簡介

  齊白石(1864年1月1日─1957年9月16日),男,生于湖南長沙府湘潭。原名純芝,字渭青,號(hào)蘭亭。后改名璜,字瀕生,號(hào)白石、白石山翁、老萍、餓叟、借山吟館主者、寄萍堂上老人、三百石印富翁。是近現(xiàn)代中國繪畫大師,世界文化名人。早年曾為木工,后以賣畫為生,五十七歲后定居北京。擅畫花鳥、蟲魚、山水、人物,筆墨雄渾滋潤,色彩濃艷明快,造型簡練生動(dòng),意境淳厚樸實(shí)。所作魚蝦蟲蟹,天趣橫生。齊白石書工篆隸,取法于秦漢碑版,行書饒古拙之趣,篆刻自成一家,善寫詩文。曾任中央美術(shù)學(xué)院名譽(yù)教授、中國美術(shù)家協(xié)會(huì)主席等職。代表作有《蛙聲十里出山泉》《墨蝦》等。著有《白石詩草》《白石老人自述》等。

  主要代表作品

  花鳥畫

  白菜蘿卜小雞牡丹圖葡萄杏花圖芙蓉鴨子

  絲瓜烏鴉圖燭火光明松鶴圖折枝花卉卷水牛圖荷花圖

  和平鴿彩荷圖紅梅雙喜慶祝國慶九秋墨蝦

  魚蝦圖墨蟹圖魚蝦蟹水族墨蝦圖歲朝圖

  人物畫

  人物屏之醉翁圖人物屏之望福圖人物屏之洗耳圖人物屏之漁翁圖仕女條屏賜桃圖

  壽星公鐵拐李嬰戲圖之一 拍球嬰戲圖之二 玩銅錢挑耳圖沁園夫子五十歲小像圖

  山水畫

  山水圖遠(yuǎn)山松林圖萬竹山居圖紅杏煙雨石門二十四景圖

  山水六屏圖龍山七子借山吟館山間人家童戲圖訪舊圖云海林屋圖

  書法

  行書謝啟行書總路線語錄行書“甑屋”門 條仿石濤山水冊(cè)頁題記

  篆刻

  涂鴉百不足富少翁翰墨文字三余懷瑜廬???/p>

  評(píng)價(jià)

  畢加索:“齊白石真是中國了不起的一位畫家!中國畫師多神奇呀!齊白石用水墨畫的魚兒沒有上色,卻使人看到長河與游魚。

  朗紹君:在吳昌碩之后,齊白石將中國傳統(tǒng)書畫推進(jìn)一步,輸入新的生命血液。齊白石是全才,齊白石賦予作品以質(zhì)樸清新的農(nóng)民情感,賦予文人畫形式以新的生命力和現(xiàn)代性。齊白石作為一個(gè)孜孜不倦的追求者,在長達(dá)一個(gè)世紀(jì)的奮斗中所顯示的創(chuàng)造精神,具有楷模性。

  余秋雨:大地賦予了齊白石至高的藝術(shù)成就,而齊白石的性格與“天趣”密切,農(nóng)民般的樸實(shí),孩童般的天真。齊白石是湖湘文化和京都文化的`結(jié)合,自我造化而成大器的。齊白石與湖湘文化有著深厚的淵源。

  王仲:齊白石在藝術(shù)上的成功,告訴我們:真理是樸素的,藝術(shù)的真諦是平凡而簡樸的,后現(xiàn)代主義者們把問題復(fù)雜化,不是別有用心就是另有難言之隱。只要根植于人民、根植于健康人性基礎(chǔ)上執(zhí)著的審美理想和信念,有不斷遵循藝術(shù)規(guī)律實(shí)踐的堅(jiān)強(qiáng)意志,這是齊白石用自身作為榜樣,留給我們21世紀(jì)中國藝術(shù)家最珍貴的啟示。

齊白石英文簡介3

齊白石英文簡介4

  齊白石說過一句名言:作畫妙在似與不似之間,太似為媚俗,不似為欺世。

  此話雖為文言,但很好懂,而且懂了這句話,也就理解了中國寫意畫的獨(dú)特魅力。蘇軾也說過類似的話,他在一首詩中說到:論畫以形似,見與兒童鄰。在這兩位大藝術(shù)家的筆下都傳達(dá)出了一個(gè)意思,那就是中國畫不講究形似。如果畫得太像了,那就是俗!俗,可謂是對(duì)一個(gè)畫家或一幅畫的最嚴(yán)厲的批評(píng)。中國歷代文人都是鄙視俗的,所以他們追求高雅、追求風(fēng)骨,要超凡脫俗。做人如此,寫詩如此,作畫亦如此。那怎樣才能不俗?齊白石的這句話可謂一語中的。“作畫妙在似與不似之間”,這樣方才不俗。在中國歷代的寫意畫(文人畫)中,莫不如此。怎樣理解?似與不似之間,也就是既像又不像。文人作畫,不是憑空而來,而是取自自然,但又不是完全真實(shí)地再現(xiàn),而是和描繪的對(duì)象持續(xù)著若即若離的關(guān)系,而最終要超越對(duì)象。像,是依據(jù);不像,是超越。如何超越?要到達(dá)有我之境。王國維說:有我之境,以我觀物,故物皆著我之色彩。不像,也就是著我之色彩。畫中表現(xiàn)得不是客觀的物象,而是畫者對(duì)物象的理解,是對(duì)物象的升華。所以,文人畫家筆下的山水、花鳥、人物,不是他們眼中的,而是他們心中的;不是現(xiàn)實(shí)的,而是理想的;不是寫實(shí)的,而是表現(xiàn)的。古代的文人,有很深厚的文化修養(yǎng),在對(duì)藝術(shù)的理解和表現(xiàn)上,也是自成

  高格,取得了極高的藝術(shù)成就。他們運(yùn)用筆墨,表現(xiàn)的是對(duì)天地萬物的一片癡情和敬意,同時(shí)也為我們呈現(xiàn)了一片絢爛迷人的藝術(shù)境界。

  齊白石的這句話還有另一層意思:如果你畫得什么也不是,讓人看不懂,那就是欺世。所以,中國畫沒有抽象的傳統(tǒng)。現(xiàn)代的抽象藝術(shù)出此刻西方而不是在中國,是有原因的。

  老先生的話真是至理名言。

齊白石英文簡介5

  1、作畫先閱古人真跡過多,然后脫前人習(xí)氣別造畫格。乃前人所不為者,雖沒齒無人知,自問無愧也。清逸,不慕名利,方可從事于畫。見古今之長,摹而肖之能不夸,師法有所短,舍之而不誹,然后再現(xiàn)天地之造化。如此腕底自有鬼神。

  2、作畫妙在似與不似之間,太似則媚俗,不似則欺世。

  3、人譽(yù)之,一笑;人罵之,一笑。

  4、不教一日閑過。

  5、學(xué)我者生,似我者死

  6、畫中要常有古人之微妙在胸中,不要古人之皮毛在筆端。欲使來者只能摹其皮毛,不能知其微妙也。立足如此,縱無能空前,亦足絕后。學(xué)古人,要學(xué)到恨古人不見我,不要恨時(shí)人不知我耳。

  7、似者媚俗,不似者欺世,妙在似與不似之間。

  8、作畫妙在似與不似之間,太似為媚俗,不似為欺世。

  9、善寫意者專言其神,工寫生者只重其形。要寫生而后寫意,寫意而后復(fù)寫生,自能神形俱見,非偶然可得也。

  10、胸中富丘壑,腕底有鬼神。

  11、人欲罵之,余勿聽也,人欲譽(yù)之,余勿喜也。

  12、獨(dú)不論白菜為蔬之王,何也

  13、不叫一日閑過。

  14、花開天下暖,花落天下寒。

  15、我是學(xué)習(xí)人家,不是摹仿人家,學(xué)的是筆墨精神,不管外形像不像。

  16、任君無厭千回剝,轉(zhuǎn)覺臨風(fēng)遍體輕。

  17、作畫是寂寞之道。耐得寂寞,百事可做。

  18、安居花草要商量,可肯移根傍短墻。

  19、一生只愿做閑人。

  20、心靜閑看物亦靜,芭蕉過雨綠生涼。

  21、心靜閑看物亦靜,芭蕉過雨綠生涼。

  22、莫羨牡丹稱富貴,卻輸梨橘有余甘。

  23、壽高未死羞為賊,不辭長安作惡饕。

  24、欲立藝者,先立人

  25、我絕不畫我沒見過的東西。

【相關(guān)閱讀】

  齊白石的名言有“學(xué)我者生,似我者死。”這句名言的字面意思就是學(xué)習(xí)成功者的成功方法的能夠有更好的發(fā)展前途,如果僅僅是模仿他們的成功之路,則非但不能成功,反而會(huì)陷入泥潭的深淵。這句名言啟示大家,不要模仿他人,模仿得到的終究還是他人的東西,最后不僅僅得不到自己想要的,反而還會(huì)在模仿的道路上迷失了自我。而學(xué)習(xí)是汲取成功者的學(xué)習(xí)方法以及思想價(jià)值觀,從而對(duì)自己有一個(gè)調(diào)整。這樣是找到了一條適合自己學(xué)習(xí)的道路,方向明確便能夠揚(yáng)帆起航,成就自己的人生。

  齊白石的名言還有“勿道人之短,勿說己之長,人罵之一笑,人贊之一笑。”十分出名,這句名言的字面意思就是不要去隨意的說別人的缺點(diǎn),不要同別人說自己的長處,即使有被人罵,也不要生氣,用微笑來回之。即便是有人夸贊,也不能過于興奮,同樣用微笑來回之。

  齊白石的這句名言,看似通俗易懂,卻表達(dá)出了做人更深一層次的原則。這也是齊白石自己悟出來的人生道理。在成名之后,他的思想境界有了進(jìn)一步的提升,對(duì)待名利和恥辱都有一顆平常的心態(tài),他認(rèn)為這樣才能做好自己,不至于在物質(zhì)的世界迷失了自我的方向。齊白石的名言同樣給人們啟示,告訴人們只有把握好做人的原則,才能更好的做自己喜歡的事情。從這能夠看出齊白石的名言極具真理性。

  齊白石以前自己評(píng)價(jià)說:我的詩寫的是第一,印排第二,字排第三,畫是第四。但是齊白石的畫實(shí)際上在現(xiàn)代的中國比他的詩更加有名?;蛟S是他的畫太有名反而掩蓋了齊白石的詩的光彩。齊白石在作詩上面是下過一番苦功的,他從八歲的時(shí)候就隨著自己的外公入學(xué)了,他的外公教他念《千家詩》,他能夠?qū)⑺x的滾瓜爛熟。在他二十七歲的時(shí)候遇到了湘潭名士陳少蕃,陳少蕃就告訴他,你去讀《唐詩三百首》吧,只要你好好鉆研,相信你必須會(huì)有成果的,果然在不久之后他們一齊去花園里,齊白石就做出了一首十分不錯(cuò)的詩。齊白石在讀懂了《唐詩三百首》之后,又讀了《聊齋志異》等書,還繼續(xù)研讀了一些古文,極大的提高了他的文學(xué)素養(yǎng)水平,開闊了他的視野,這些為他之后寫詩打下了堅(jiān)實(shí)的基礎(chǔ)。齊白石的詩,一般不會(huì)過分追求韻律之類的,他的詩都是隨心而寫,并且寫的也很工整,他的很多朋友都是為了科舉而作詩的,寫出來的詩呆板,沒有靈性,這是齊白石很不推崇的,他很喜歡將自己的情緒放到詩里面,賦予詩不一樣的活力。

  齊白石的詩是他人生的一大亮點(diǎn),明白他的人都明白詩和畫是他一輩子最珍重的東西,兩者放在一齊,才能讓他的作品更加飽滿。

  據(jù)他的《白石老人自述》里面曾寫道:齊白石的畫的第一幅人物畫,是在8歲時(shí)候在門上畫的一幅雷公像。而齊白石第一次畫對(duì)現(xiàn)實(shí)中的人物進(jìn)行描畫,是他在讀村館的時(shí)候,那時(shí)候在池塘邊常常能看到一個(gè)釣魚老翁。16歲的時(shí)候,齊白石拜在了同鄉(xiāng)的周之美處,潛心學(xué)習(xí)雕花木工的手藝,在齊白石20歲的時(shí)候,他寫出《芥子園畫譜》,到26歲時(shí)候,齊白石同蕭薌陔一齊學(xué)習(xí)民間肖像畫作,次年齊白石拜胡沁園為師傅,跟在其身后學(xué)習(xí)。再之后齊白石37歲時(shí)候,齊白石有機(jī)會(huì)又拜入了王湘綺的門下,也是在王湘綺么下學(xué)習(xí)的這期間,齊白石有幸見識(shí)到了不少名家作品,眼界大開,為之后打下基礎(chǔ)。

  齊白石人物畫的早期的題材多以佛教傳奇人物和古代的秀麗女子為素材,當(dāng)時(shí)其繪畫風(fēng)格與清代人物畫家的筆法、特征和造形等都十分相近,多為工細(xì)一路,偶爾兼工帶寫。之后,齊白石人物畫作也受到了金農(nóng)的影響,有很多畫作的提款都是典型的“金農(nóng)”。

  齊白石中晚年后,喜歡憑借個(gè)人印象來描繪相關(guān)人物,筆觸雖簡單,但頗有神韻意趣,人物的形象也十分簡單,卻不失內(nèi)涵,個(gè)性是一些自寫性質(zhì)類的.人物畫更是稚拙而又純樸、凝練而又富有平和。

  他的每一個(gè)人物畫像都反映出了自已生活中的真實(shí)感受,他將八大、石濤等人的畫風(fēng)融合為一體,意趣橫生、用筆減省,且不乏善良、睿智、幽默、樸素。齊白石的一生都堅(jiān)持著“寫意”與“傳心”,而不是“寫象”與“傳物”。

  書畫大家齊白石是個(gè)怎樣的人

  首先,齊白石是個(gè)甘于寂寞,不慕名利的人,要想成為一代書畫大家,就要有能刻苦,甘愿忍受寂寞的精神,齊白石自從開始學(xué)習(xí)繪畫一來,幾十年間都默默無聞,堅(jiān)持努力,直到六十多歲依然只能靠賣畫刻字為生,但是他從來沒有放棄過他的藝術(shù)信仰,從來都是孜孜以求,追求藝術(shù)上的更高境界,即便是生活艱難,也毫不動(dòng)搖,更不嘩眾取寵,這個(gè)沉得下來的心境才造就了他藝術(shù)上的輝煌成就。

  其次,齊白石是一個(gè)堅(jiān)定果斷、忠于信念的人,他原本是木匠出身,直到二十七歲才開始正式拜師學(xué)畫,只是憑著一空熱血和對(duì)藝術(shù)的孜孜不倦的追求,他刻苦鉆研,勤奮認(rèn)真,最后成為一代大家,這種精神是十分值得后人學(xué)習(xí)的。

  齊白石還是個(gè)熱愛生活、熱愛家鄉(xiāng)的人。他將家鄉(xiāng)農(nóng)村習(xí)以為常的蔬菜瓜果、昆蟲鳥獸都當(dāng)做他藝術(shù)創(chuàng)作的主角,在人們不注意不起眼的東西上下功夫,將它們活靈活現(xiàn)地展示出來,創(chuàng)造了獨(dú)特的藝術(shù)風(fēng)格,豐富了中國畫壇的類型。

  最后齊白石還是個(gè)擁有真性情,用心扶持后輩的人。晚年的齊白石不喜應(yīng)酬,卻對(duì)他欣賞的女性交往密切,還因此造成別人的誤解,他認(rèn)為對(duì)秀麗女性的欣賞是不用掩飾的,而且他還收了很多女弟子,培養(yǎng)人才,傳承藝術(shù)。

  如果非要給齊白石按個(gè)定位的話,他肯定是個(gè)老人家,畢竟人家80多歲的高齡還在琢磨著新畫法并且有所成。當(dāng)然這只是個(gè)冷笑話。齊白石是什么學(xué)家呢?齊白石老先生是我國著名的畫家,也是十大書法家之一,更是世界十大文化名人之一。

  所以世人給他的稱號(hào)是畫家和書法家。這畫家能夠理解,畢竟齊白石畫作一堆一堆的,到晚年的畫作更是珍品,每一副都能在拍賣會(huì)上拍出高價(jià),并且是受全世界的喜愛。這可真的不容易,再來看看老先生畫的東西,基本都是大自然里的生物。大自然就是我們所生活的環(huán)境,并沒有什么文化代溝,而老先生的畫作傳遞出來的也是熱愛生活的情感,如此看來受全世界的喜歡也是就應(yīng)的。再加上老先生活到老學(xué)到老,晚年的畫法更是讓人崇拜,所以他擔(dān)得起中國國畫大畫家的名聲。

  至于這書法家嘛,中國國畫有留白一說,有的時(shí)候作者本人還很有情調(diào)的會(huì)在上面題字。齊白石本人對(duì)畫作的要求高,怎樣會(huì)讓這字毀了一幅畫呢?再說這字本身就是畫的一部分,所以說這齊白石的書法技術(shù)高是完全可信的。

齊白石英文簡介6

  Qi Baishi (January 1, 1864 - September 16, 1957), native of Anhui Province, Dangshan, was born in Changsha, Hunan Xiangtan (now Hunan Xiangtan).

  Formerly known as pure Chi, the word Wei, No. Lanting. After renamed Juan, the word end of life, No. Whitehead, Whitehead Hill Weng, old Ping, hungry old man, by the mountain Yin Museum Lord, send Ping Tong old man, three hundred stone inscriptions.

  Is a modern Chinese painting master, world cultural celebrity. Early years for the carpentry, after the painting for a living, after the age of fifty-five settled in Beijing. Good at flowers and birds, insect fish, landscapes, figures, ink vigorous moisturizing, bright colors bright and bright, simple and vivid shape, the mood is simple and honest. Made fish and shrimp insect crab, days interesting.

  Qi Baishi book seal, take the seal in the Qin and Han Dynasties, the book Rao ancient Zhuo of interest, seal a self, a good writing poetry. Former honorary professor of the Central Academy of Fine Arts, chairman of the Chinese Artists Association and other staff. Representative of the “frog ten miles out of the spring” “shrimp” and so on. Author of “Whitehead poetry grass” “White stone old man read” and so on.

齊白石英文簡介7

  January 1, 1864 (lunar calendar year in 1863 winter twenty-two days), Qi Baishi was born in Changsha, Hunan Xiang Xiangtan white stone shop apricot dock star dish pond. Name pure Chi, the word Wei Qing, and word Lanting. 27-year-old renamed Juan, word frequency students, alias white stone mountain people, and also send garden.

  In 1870, from the grandfather Zhou Yu if reading, commonly used books, books thin paper painting.

  In 1878, thanks to the United States as a teacher to learn carved carpenter. Do carpentry, to the residual “mustard garden” as a teacher, learning flowers and birds, figure painting.

  In 1888, thanks to folk artists Xiao Xiang 陔 portrait for the teacher painting.

  In 1889, thanks to Hu Patio, Chen Shao Fan as a teacher poetry, was Hu Qinyuan help, from the woodworker life, study painting, portrait for the family.

  In 1894, and Wang Zhongyan and other seven knot “Longshan Poetry Society”, was elected president. And after Li Songan Temple and other knot “Luoshan Poetry Society”, together with poetry, painting, carved stone.

  In 1899, thanks to Xiangtan celebrities Wang Kaiyun as a teacher to learn poetry. With the first annual publication of the printed map “send garden printed”, printing Ding Jing, Huang Yi, sophisticated rules, can be true.

  In 1900, living in the lotus peak under the Mei Gongci, claiming to “Bai Mei book house”, and in the hospital built a small house, the name “by the mountain museum.” Committed to painting, poetry.

  In 1902, at the invitation of Xia Yi Yi, went to Xi'an to teach. In Xi'an to get to know Fan Fan Shan, do the view of the possession of eight mountains, Jinnong and other famous painting and calligraphy. Is the year, the flowers and birds of a unique style, embarked on a freehand painting path.

  In 1903, from Xi'an to Beijing, met Zeng Xi, Li Ruquan, etc., during the summer afternoon Yi Yi proposed to the Empress Dowager Cixi recommended Qi Baishi to do the inner court, Summer, from Beijing to Shanghai, back to Hunan, this is the “five out of five” for the first time travel.

  In 1904, with Wang Kaiyun went to Jiangxi, travel Lushan, Nanchang and other places, published “white stone grass clothing character carved”, Wang Kaiyun for its order.

  In 1905, went to Guangxi, tour Guilin. And Cai E, Huang Xing acquaintance.

  In 1906, after the Spring Festival, Wuzhou by the Guangzhou to Qinzhou, Guo Baosheng left its teaching. Enjoy the possession of Guo Xu Wei, eight, Jinnong famous authentic. Work with paintings, during which often Guo Dai pen. Autumn, back to Xiangtan, to teach painting salary to buy the old house and dozens of acres of paddy fields.

  1907, the spring and summer of the turn, then go to Qinzhou, tour Zhaoqing, Duanxi. Winter, back to Xiangtan.

  In 1908, spring went to Guangzhou. Is the year, only to live back to Xiangtan a few days, the rest of the time spent in Guangzhou.

  In 1909, after the Spring Festival in Guangzhou, after Qinzhou. Early summer to Shanghai, to sell paintings for a living. Between summer and autumn, travel Suzhou. To visit Nanjing Li Meiyan, for its governance tripartite. October return to Xiangtan, thus ending the “five out of five” travel far life. Then in the home repair “send Ping Church”, began 8 years of mountain life, painstakingly painted poetry. On the eight mountain people, stone Tao flowers and more paintings, the brush more concise, but the grass insects sketch, more work, or to write out of the free. Calligraphy learn gold farmers, get their marrow.

  In 1917, to avoid the bandits to Beijing. Is to catch up with “Zhang Xun restoration”, rush to Tianjin asylum. The situation is slightly scheduled, return to Beijing, in the glass factory south of the paper shop hanging Runge painting. Period and old friends Fan Fan Shan, Xia Wu Yi, Guo Baosheng and other contacts very close. And meet Chen Shizeng, Yao Mang father, Chen and so on. Which has been set with Chen Shi, Qi Bai Shi had a great impact on old age. Is the winter, leaving Beijing to return to Hunan, rural one year.

  In 1919, married with Hu Baozhu, from Beijing.

  In 1923, Chen Shi had died in Nanjing, several times poems mourning friends. 1925, spring, serious illness, personnel do not know seven days and nights. Waiting for more than a month, stop painting, engraved. Mei Lanfang officially apprenticeship painting.

  In 1926, the mother and father died one after another. Twice to stop painting, engraved.

  In 1927, at the invitation of Lin Fengmian, taught at the Beijing Art College.

  1928, the printing of “white stone poetry grass” “by the mountain museum poetry grass” (handwritten copy)

  1933, printed “white stone poetry grass” (eight volumes of printed)

  1936, travel Sichuan. In the Chuan know Huang Binhong.

  In 1937, listen to Changsha Shu Yi on the fortune-telling said, with the deceived, since the 77-year-old. In July, Peiping fall, feeling grievous, easy to see customers.

  In 1940, the lunar month, his wife died in Chen Junchun, wrote “Lady Chen” text. To resist the Japanese and traitors harassment cable painting, posted “painting does not sell and official home” confession, declined to see customers.

  In 1944 January, following the room Hu Baozhu died. In June, refused to Peiping Art assigned to coal.

  In 1946, the end of the war, complex and then in the glass factory hanging Runge, restore the sale of engraving. In October, go to Nanjing, Shanghai to do the exhibition, more than 200 paintings all sold, bring back a bundle of “French”, as waste paper, actually can not buy 10 bags of flour.

  In January 1949, Beiping liberated. To attend the premier reception of Chou Enlai. For Mao Zedong carved stone two sides. As honorary professor of the Central Academy of Fine Arts.

  In 1950, he was hired as a librarian. In April, had dinner with Mao Zedong, Zhu De to accompany. In October, the 82-year-old made the “eagle” and seal book couplet “sea for the dragon world, the cloud is the crane home” presented Mao Zedong. To participate in the Beijing “anti-Korean aid painting and calligraphy exhibition”. Winter, for the “People's Daily” painting “peace dove” In February 1951, more than 10 paintings to participate in Shenyang City, “the Korean War Painting and Calligraphy Exhibition”.

  In 1952, with three days, for the Beijing Asia-Pacific Regional Peace Conference to create a huge two “white and peace dove.” In the same year, many works entitled “Peace Victory” and “Peaceful Long Live”.

  January 7, 1953, Beijing cultural and art circles more than 200 people to participate in “Qi Baishi 90 birthday celebration”, the Ministry of Culture awarded Qi Baishi outstanding people artist title. Zhou Enlai attended the evening celebration banquet. Served as chairman of the Beijing Chinese Painting Research Association in October, was elected chairman of the first Chinese Artists Association Council.

  April 28, 1954, the Chinese Artists Association in the Palace Museum held “Qi Baishi painting exhibition” in August, was elected to the National People's Congress. September 15, attended the first National People's Congress.

  June 1955, and Chen Min Ding, He Xiangning and other 14 painters for the World Peace Assembly cooperation huge “peace”

  April 27, 1956, the World Peace Council announced the grant of Qi Baishi International Peace Prize, September 1, held a grand ceremony in Beijing. Premier Zhou Enlai personally congratulated.

  May 15, 1957, served as honorary president of Beijing Chinese Painting Academy. 5 - June, for the last piece of work “Peony”. September 16, died at the Beijing hospital. September 22 morning in Jiaxing Temple held a public offering, Premier Zhou Enlai and other central leaders participated in the public offering.

  In 1963, Qi Baishi was selected as one of the world's top ten cultural celebrities. (Note: the network confirmed that the world's top ten cultural celebrities and no Qi Baishi, the world's top ten cultural celebrities: Confucius, Plato, Aristotle, Copernicus, Newton, Darwin, Bacon, Aquinas, Voltaire, Kant.)

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